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To complete this gag ticket, the bottom reads, To file a complaint, call 1. Wonderful-concert-ticket-wedding-invitations-doc-word-ticket-template-event-ticket-event-ticket-templates-printable-event-ticket-template-word-ticket-glorious-vintage-conc-687x388.png' alt='Free Concert Ticket Template Word' title='Free Concert Ticket Template Word' />YUR. MAMA, in small font, of course. The template prints two tickets per page. Download Link MS Publisher Parking Ticket Template Parking Citation. We offer free to download this template along with 700 other Professional Free Word Templates. The Night and Day Concert is a concert performed by Elton John on June 30, 1984 in the Wembley Stadium. Promoting Johns Breaking Hearts album, the concert was. EWBIES PRIVATE PARKING TICKET OLD OR NEW READ THESE FAQS FIRST Thankyou Parking Tickets, Fines Parking. Wattstax Wikipedia. Wattstax was a benefit concert organized by Stax Records to commemorate the seventh anniversary of the 1. Concert Ticket Template Word' title='Concert Ticket Template Word' />African American community of Watts, Los Angeles. The concert took place at the Los Angeles Memorial Coliseum on August 2. The concerts performers included all of Staxs prominent artists at the time. The genres of the songs performed included soul, gospel, R B, blues, funk, and jazz. Months after the festival, Stax released a double LP of the concerts highlights titled Wattstax The Living Word. The concert was filmed by David L. Wolpers film crew and was made into the 1. Wattstax. The film was directed by Mel Stuart and nominated for a Golden Globe award for Best Documentary Film in 1. Build vocabulary, literacy, phonics, spelling skills with VocabularySpellingCity. Improve vocabulary, a core reading skill, with gamified contextrich. Ultimate Collector Edition Blu Ray on this page. Wattstax was a benefit concert organized by Stax Records to commemorate the seventh anniversary of the 1965 riots in the AfricanAmerican community of Watts, Los. The concerteditThe idea of a benefit concerteditStax Records West Coast Director, Forrest Hamilton, came up with the whole concert idea. Being in L. A. during the Watts Riots, Hamilton later became aware of the yearly Watts Summer Festival that commemorated the broken community of Watts, California. Hamilton contacted Stax Records and told them about having a benefit concert for the 7th Watts Summer Festival. At first, Stax was not so sure on putting together a small concert, with big stars, for a small community such as Watts. Tommy Jacquette, the founder of the Watts Summer Festival, was contacted about the festival idea. With Jacquette being supportive, the concert idea was slowly developing into something big. Al Bell, who was very involved planning the concert, decided that if the festival was going to be as big as he imagines, the festival cannot just be held at a small park in Watts. It had to be held in somewhere biglike the Los Angeles Memorial Coliseum. A team of several Stax directors, including Jacquette, contacted the L. A. Coliseum to schedule a meeting. When the meeting took place, the managers at the Coliseum were not so convinced that a small record company from Memphis can fill up the whole stadium. This was an expensive risk the Stax team was taking. Word gets outeditStax picked a date, which was Isaac Hayess birthday and also a few days after the 7th anniversary of the Watts Riots. Stax could now print advertisements saying in bold letters JOIN US AT THE BIGGEST RECORDING SESSION EVER. IN THE MAKING OF THE GREATEST SOUL ALBUM EVERWATTSTAX 7. BENEFIT CONCERT. The name of the concert was formed to include Watts, as in the neighbourhood, and Stax, the name of the record company putting the show together. As more and more word got out about this big benefit concert, more tickets were being sold. All seats were reserved and only priced at 1. Stax wanted to make it possible for anyone to attend, so they made ticket prices cheap. As more and more money was coming in, Al Bell was becoming less and less regretful about putting on the production. The L. A. Coliseum managers could not wait to see what would happen on August 2. Constructing the concerteditThe stage was built the day before the concert in the middle of the night. This conflict happened because a football game was scheduled on the night of August 1. Stax, being polite, did not make the Coliseum managers cancel the game. Immediately after the football game, trucks full of long wood planks drove onto the field. The stage was built right in the center of the field and was built high enough where artists could walksit under a little less than 2. Access Mac Os X Files From Windows 7. A platform was built that lead from the road where artists would walk from to the side stairs of the stage. The seats were hand cleaned and trash was picked up all around the Coliseum. Also, due to the Coliseums policy, there could be no seating on the field so the grass wouldnt get ruined for football games. Because of this, Stax wondered Could each and every seat be occupied Since all of this construction was being done late at night, the rest of it was finished the next day. The concert didnt start until 3 0. A big thing to take care of was cleaning the additional bleachers that seated at least 1,0. The bleachers were set up so that there would be more seating that included a better view of the stage. Next thing to take care of was building a fence around the stage for the artists safety reasons. Along with that, a large group of L. A. s African American policemen were requested to be scattered all around inside and outside the Coliseum. Next to do was taking care of the transportation situation. The dressing rooms for Staxs artists were outsidebehind the stadium. Two vans were rented to drive the artists up to the stage and then back to the dressing rooms. Another pricy necessity was the bathroom situation. Portable restrooms were rented for the artists to use before and after their sets and placed right under the side of the stage. Lighting was needed since a few of the acts took place at night. Colored lights were hammered onto poles on each corner of the stage. Next to take care of was the speakers. Stax wanted to make sure the whole stadium could hear the music especially for the people who were sitting far away from the stage. In each corner of the fenced part of the field were stacked speakers. Right below the stage was a long table which had several open reel tape recorders. Stax wanted to put the highlights from the concert on records and sell copies. The biggest deal to take care of was filming the whole concert. A film crew was scattered from the top row of the stadium to the corners of the stage where the artists were zoomed in on. The film crew was told to capture the artists singing, but also get shots of the crowd dancing. And lastly, throughout the whole show, the most commotion was communicating over walkie talkies. As told, the production of the Wattstax Concert was very stressful. The crowd arrives and the festival beginseditAt around 1 4. Coliseum grounds started to be swarmed with L. A. s Black population. Guards stamped tickets and told concertgoers where their seats were located. The stadiums seats filled up hastily, while the production team was making sure everything was good to go. The concerts orchestra dubbed The Wattstax7. Orchestra and its composer, Dale Warren, sat until 2 3. Salvation Symphony. At 2 3. 8 p. m., the first song was performed to a crowd of 1. African American. The shows timelineschedule time performed includededit2 3. Salvation Symphony by Dale Warren. Star Spangled Banner by Kim Weston. Speech by Tommy Jacquette. Speeches by Anonymous Speakers. IntroductionI Am Somebody by Jesse Jackson. Lift Every Voice and Sing by Kim Weston. Speech and Staple Singers Intro by Melvin Van Peebles AND Heavy Makes You Happy by Staple Singers. Are You Sure by Staple Singers. I Like The Things About Me by Staple Singers. Respect Yourself by Staple Singers. Ill Take You There by Staple Singers. Garamond Font Free Windows 7 on this page. Somebody Bigger than You and I by Jimmy Jones. Precious Lord, Take My Hand by Deborah Manning. Better Get A Move On by Louise Mc. Cord. 4 0. 1 Unknown by Eric Mercury. Unknown by Freddy Robinson. Them Hot Pants by Lee Sain. Unknown by Ernie Hines. Wade In The Water by Little Sonny. Pin The Tail On The Donkey by The Newcomers. Explain It To Her Mama by The Temprees. Ive Been Lonely by Frederick Knight. I Forgot To Be Your Lover by William Bell. Knock On Wood by Eddie Floyd. Old Time Religion by The Golden Thirteen. Lying on the Truth by Rance Allen. Up Above My Head by Rance Allen. Introduction by David Porter. Aint That Loving You by David Porter.